Finally saw it.
Sloooowwwww burn to insanity.
Beyond the Black Rainbow was more refined while this felt like drifting into raw primal madness. In both films though, I appreciate his use of color/lighting and editing transitions. This definitely gets a boost from Johannsson's score as well.
Mandy in general was a very unusual slow paced art film with a slow setup, but that is very typical of this kind of film much like many David Lynch films. Some of this made me think of Lost Highway and Blue Velvet with the hard contrast lighting or stobe flickering as well as the purely crazy bad guys.
I was surprised to see a random touch of The Ghoulies in this and had hoped to see something literally supernatural, but the film didn't go that direction.
There were also weird allusions to Heavy Metal with the animation.
The Black Skull bikers curiously reminded me of The Plague from the Grindhouse movie Hobo With A Shotgun (with a touch of Hellraiser)
I was hoping for a more definitive closure to Red Miller's character.
I think Panos Cosmatos has great potential and deserves a bigger budget while he could benefit from different approaches to his script. I think he can keep doing his slow burn paced films, but all his payoff moments are purely emotional. David Lynch movies have plot based payoffs even if you don't really comprehend them or they work on more of a symbolic level.
This makes me think of INLAND EMPIRE that is fully mind fvckery and hard to even explain, yet connects a lot of dots that have weird implied meaning or symbolism. To be fair, Inland Empire is over 3 hours so it has room to do all this.
Or something like the crazy ass dialogue in Mulholland Drive.