Gojira (2014) - 8/10
Decided to call this film Gojira instead of Godzilla, because apparently the director would like it if I call the movie Gojira rather than Godzilla. Ken Watanabe's character exists just to say the term 'Gojira' in a Hollywood blockbuster.
As I'm writing this, I'm chuckling. Where do I start. Oh, this movie is clearly made by a fan of monster movies AND military equipments, and the movie is driven by these two, very different kind of love. It's not even a political "hail US Army" attitude seen in Michael Bay flims. This director clearly has a fetish on armaments. The marketing's focus has been on humans reacting to monsters, but that is really a fraction of the movie that is also a glaring flaw. Once the movie shifts its focus from Bryan Cranston to Aaron Taylor-Johnson the drama does not work anymore; Taylor-Johnson's character just isn't compelling. His chemistry with Elizabeth Olsen is contrived on a script level and they aren't given too much to work on. In fact he exists just to show the audience the story in the army's perspective. He rides the ships and planes to go to wherever the monsters are, and whenever there are monsters, there are military struggle to stop them, which always fails. The accuracy and focus on armaments and equipments in these scenes is on the level of The Hurt Locker and Zero Dark Thirty, something you would totally not expect from a summer blockbuster like this.
Gojira is still a monster movie, though, and a good one at that, to an extent that the movie actually becomes "Gojira saves the day" at the end. This is one thing I didn't like, but I guess being a monster movie it needs to end that way. If Pacific Rim lost focus between being a monster movie and a robot movie, Gojira successfully focuses on both monsters and army at the same time. The final battle between new monsters and Gojira is very well done, but as I said, it might be tad too sentimental beyond certain point. Where the movie truly excels is when the monsters and the army are together in one shot. That this movie is crazy about armaments does not mean that US army is as powerful as they are in Transformers films. It's the complete opposite here, as all the tech galores are colossaly dwarfed in front of massive monsters, which makes the film akin to Aliens and (the better part of) War of the Worlds. Monsters are massive, humans are so small even in a big ship, and as every single movement of these monsters become a huge threat to humans, humans react in a various way to survive; this makes up Gojira's highest moments. The way the monsters devastate humans, cities and especially the army shows how powerless we could be, the way the best cosmic horrors do. A movie with a glaring flaw that gets dwarfed by other strengths, just like Gojira dwarfs humans.